Artist Statement

As a music producer, visual artist, and curator, my creative journey navigates the vast and intricate landscape of experimental music, sound art, visual art and political issues.
My work emerges at the intersection of sonic exploration, visual storytelling, and the creation of immersive installations. With an ever-curious spirit, I weave together a diverse range of mediums, from composition and performance to installation and research, inviting audiences to traverse uncharted auditory realms, visuals and sociopolitical questions.

Drawing inspiration from the ever-shifting interplay between sound, space, and emotion, I craft sonic narratives that transcend conventional structures. Whether through meticulously notated scores or fluid, improvisational performances, my aim is to provoke thought, challenge preconceptions, and evoke visceral responses.

In my role as a visual artist, I harness the power of visual language to complement and amplify the sonic stories I compose. I explore the symbiotic relationship between sound and image, employing various mediums to create intricate visual landscapes that mirror the complexity of the auditory worlds I construct. Through my visual creations, I aim to transport viewers into the heart of the sonic narratives, inviting them to perceive and feel the interplay between sound and form.

Curatorial endeavors are an integral part of my artistic pursuit. Through curatorial projects, I strive to create platforms that foster dialogue, collaboration, and cross-pollination within the experimental music and sound art community. Guided by a commitment to inclusivity and diversity, I curate exhibitions and events that celebrate the innovative voices pushing the boundaries of sonic expression. These endeavors are not just showcases; they are dynamic spaces for discourse and discovery, where artists and audiences engage in a collective exploration of the sonic frontier.

My work is not confined to artistic creation alone; it extends to academic explorations as well. I delve into the theoretical underpinnings of gender, representation, identity politics and the societal impact of new technologies. Through research and practical work, I strive to contextualize my creative practice within broader cultural, historical, and philosophical frameworks, contributing to the ongoing discourse surrounding these evolving art forms.

In my world, experimental music, sound art and socio-political issues are dynamic ecosystems where imagination knows no bounds. Through compositions, performances, installations, and scholarly inquiries, I seek to offer glimpses into the infinite possibilities of sound.